186RebaIIblissTrey employs a silky, milky-whammy sort of effect, generating a really groovy, laid-back jam. Extremely fluid, extended, and atypical jamming features strong, rhythmic play from all, the version coasting, moving pleasantly upon its own kinetic energy, not quite building but rather dissolving to create a fantastic > into "FEFY." · 94 BPM
17:00
>SEGUE
153Fast Enough for You144 BPM
7:20
>SEGUE
135When the Circus Comes136 BPM
4:59
157Run Like an Antelope129 BPM
13:28
SET 2MAIN7 TRACKS·1:213 CHARTED
285JuliusAnother version where the jam is made more interesting by starting with a nice swinging groove, and only very gradually building the intensity. · 83 BPM
11:58
273The Moma DancefunkGood, funky playing before the lyrics. The main jam segment has a very nice peak and scat singing throughout. · 172 BPM
11:54
>SEGUE
250Piper126 BPM
7:57
235Axilla152 BPM
5:25
>SEGUE
256David Bowie96 BPM
19:36
278TubefunkambientSlow grooving at the Gorge combining funk and ambience. > to "Slave". Released on Live Bait Volume 9. · 112 BPM
Trey teased Lazy in Julius. Reba did not have the whistling ending. Axilla featured the Axilla II ending. Trey teased Oye Como Va in the soundcheck's jam. This show was released as part of <em>The Gorge '98 </em>box set.
By the numbers8 STATS
RUNTIME2h 38mwith break
LONGEST19:36DAVID BOWIE
SHORTEST4:59WHEN THE CIRCUS COMES
AVG SONG10:34across 15
JAM CHRT4charted
SEGUES50.33 per song
DEBUTS0no firsts
JAM TIME13%of 159 min
SONG DURATIONS · 15 IN ORDER0–20 MIN
DAVID BOWIE 19:36
● SET 1● SET 2● ENCORE
Fingerprint0D · 1BO
SETLIST · BLOCK = SONG · COLOR = OVERDUEIN ORDER →