"Axilla II"'s improvisational identity is seemingly now fully established, with spacey, effects-heavy playing setting the tone immediately. Using this template as the platform, the band then effortlessly glides between c…

After the initial onset of the typical outro jam, the music begins to gradually descend toward the depths with Trey's delay-drenched whammy sirens and Fishman’s samples setting up a dense soundscape. The form then fractu…

An extended take on the usual outro drifts into a hypnotic haze which Trey cuts through with melodic leads, buoyed by ample synthesizer and "Quadrophonic Toppling" quotes.

Punishing play, typical of the song, cools. Out, then, from the song's familiar closing refrain, Trey shapes his tone, his sound heavy as a stone, and offset by spaceage Page. On-point (somewhat incendiary) Fish, Mike a…