172Stash"Stash" -> "Kung" -> "Stash." Intense, high voltage jam in "Stash." Great segues. · 129 BPM
12:09
->INTO
182Kung-> in from "Stash." The second "Stash" -> "Kung" -> "Stash" appearance is also a strong version. · 136 BPM
2:18
->INTO
170Stash"Stash" -> "Kung" -> "Stash." Intense, high voltage jam in "Stash." Great segues. · 136 BPM
1:09
155Glide123 BPM
5:02
145My Friend, My Friend99 BPM
6:30
>SEGUE
167RebablissMore subdued, "underwater" jamming, with the band winding the sound way down. Only Trey never ceases playing, and the effect is instant and sustained beauty. Page provides great fills as, trilling and shredding, Trey drives the band through a soaring peak. · 99 BPM
13:26
149Satin Doll136 BPM
5:00
>SEGUE
136Cavern123 BPM
4:17
SET 2MAIN18 TRACKS·1:2513 CHARTED
283David Bowie"Bowie" -> "Jessica" Jam -> "Bowie" -> "Have Mercy" -> "Bowie." Awesome medley, but the "Bowie" sections are also outstanding. The pre-"Have Mercy" jam section is excellent but very different than any preceding version. Post "Mercy": the usual high wire shredfest. · 99 BPM
13:07
->INTO
2—Jessica-> in from "DB." Awesome little melodic section in the "DB" intro pays homage to one of Trey's big guitar playing influences.
->INTO
275David Bowie"Bowie" -> "Jessica" Jam -> "Bowie" -> "Have Mercy" -> "Bowie." Awesome medley, but the "Bowie" sections are also outstanding. The pre-"Have Mercy" jam section is excellent but very different than any preceding version. Post "Mercy": the usual high wire shredfest. · 103 BPM
4:01
->INTO
269Have Mercy-> in from "DB." Great segue to "Have Mercy" in the midst of a stellar "Bowie" jam. -> back to "DB." · 130 BPM
2:50
->INTO
2—David Bowie"Bowie" -> "Jessica" Jam -> "Bowie" -> "Have Mercy" -> "Bowie." Awesome medley, but the "Bowie" sections are also outstanding. The pre-"Have Mercy" jam section is excellent but very different than any preceding version. Post "Mercy": the usual high wire shredfest.
248The Horse112 BPM
3:09
>SEGUE
235Silent in the Morning103 BPM
5:01
>SEGUE
274It's Ice"Discipline" and "Manteca" teases in an extended jam unusual for Spring '93 tour. · 118 BPM
9:27
>SEGUE
284The Squirming CoilTowards the end of Page's solo, Trey, and then Mike and Fish jump back in and kick off (by ->) an awesome, rocking and bluesy "Jam." · 96 BPM
11:08
->INTO
2—JamMUST-HEAR, fantastic rocking and bluesy jam that -> in from "The Squirming Coil." As the jam progresses, it starts to sound a bit like "Crossroads," which appears later in the show following "Mike's." -> to "Big Ball Jam."
->INTO
259Big Ball Jam103 BPM
8:39
>SEGUE
274Mike's SongFollowing a strong but typical 1st jam, the 2nd jam gets really rocking and blues-infused, then neatly -> to a great version of Robert Johnson's "Crossroads," before -> back to "Mike's" to wrap up. · 112 BPM
6:17
->INTO
269Crossroads-> in from "Mike's Song." The Phish debut of this Robert Johnson blues classic is sandwiched in the middle of a strong version of "Mike's." · 144 BPM
5:06
->INTO
253Mike's SongFollowing a strong but typical 1st jam, the 2nd jam gets really rocking and blues-infused, then neatly -> to a great version of Robert Johnson's "Crossroads," before -> back to "Mike's" to wrap up. · 118 BPM
1:12
>SEGUE
237I Am Hydrogen89 BPM
2:43
>SEGUE
237Weekapaug Groove76 BPM
4:47
288Amazing Grace"Amazing Grace" goes electric! Only instead of creating a Judas, Phish induces a 'Come to Jesus' moment, which, incredibly, seems to take a detour through "Weekapaug." An absolutely stunning tour closer which packs the emotional punch of NYE's "Auld Lang Syne." A-freaking-men. · 121 BPM
1:38
>SEGUE
287Amazing Grace"Amazing Grace" goes electric! Only instead of creating a Judas, Phish induces a 'Come to Jesus' moment, which, incredibly, seems to take a detour through "Weekapaug." An absolutely stunning tour closer which packs the emotional punch of NYE's "Auld Lang Syne." A-freaking-men. · 108 BPM
<p>Trey teased Fire (Ohio Players) in Chalk Dust Torture, Stash, and Reba. Page teased Can't You Hear Me Knocking in Stash. Fish quoted Kung throughout the return to Stash. The beginning of My Friend and all of The Horse featured Trey on acoustic guitar. Page teased "Charge!" before Satin Doll while Trey was thanking the crew. The intro to Bowie included Simpsons, Random Note, Will the Circle Be Unbroken?, and Get Back signals and Jessica teases (both before and after the Jessica Jam) from Page and an Amazing Grace tease from Mike. Bowie later contained a Lazy tease from Mike. The breakdown in Itâs Ice included a Manteca tease. Crossroads made its Phish debut at this show. Page teased Gimme Some Lovin' and Rainy Day Women #12 & 35 in Hydrogen. Weekapaug contained an Amazing Grace tease from Page and was unfinished. The Amazing Grace Jam was played to a Weekapaug-esque drumbeat. Trey teased Walk This Way in AC/DC Bag. This show is available as an archival release on LivePhish.com.</p>
By the numbers8 STATS
RUNTIME2h 45mwith break
LONGEST13:26REBA
SHORTEST1:09STASH
AVG SONG5:53across 28
JAM CHRT17charted
SEGUES190.61 per song
DEBUTS0no firsts
JAM TIME7%of 165 min
SONG DURATIONS · 31 IN ORDER0–14 MIN
REBA 13:26
● SET 1● SET 2● ENCORE
Fingerprint2D · 0BO
SETLIST · BLOCK = SONG · COLOR = OVERDUEIN ORDER →