292CariniIIambientKicking off a killer set 2, this outsized juggernaut of a version glides smoothly through multiple sections with the utmost patience and confidence, including passages of majestic anthemic rock, spooky minor-key delay grooving, dimly-lit synth-filled ambience, and cosmic hose before finally shifting into a similarly expansive "Light". · 112 BPM
26:36
>SEGUE
290LightIISegueing -> out of a phenomenal "Carini," Trey and Page waste no time getting the band back to jamming in one of the strongest second sets of the entire year. Around 6:30 the band breaks off via isolated playing which hears Trey and Page mimic each other with bright chords while Mike and Fish offer staccato beats to create space for the jam. Trey deepens the overall exploration around 11:20 via his expert use of the synth pedal. Moving through watery tones the band explores an uptempo zone before pushing towards a truly stunning and explosive peak full of sirens and heavy Fish playing before a -> back into "Carini." We're in a strong period for "Light," and this version is right there with some of the finest they've ever played. · 129 BPM
18:26
>SEGUE
260CariniIIambientKicking off a killer set 2, this outsized juggernaut of a version glides smoothly through multiple sections with the utmost patience and confidence, including passages of majestic anthemic rock, spooky minor-key delay grooving, dimly-lit synth-filled ambience, and cosmic hose before finally shifting into a similarly expansive "Light". · 99 BPM
1:44
>SEGUE
284SandStellar version that marries the Spirit of '99 with the earnestness and multi-faceted nature of modern Phish. Trey's expert loop-craft, Mike's perfectly-timed effect deployment/note choices, Page's pristinely tasteful keyboard textures, and Fishman's relentless swing combine as pieces to a puzzle only a band 40 years into their career could create. Fishman's "Yeah Baby" sample to end is an appropriate acknowledgment. · 112 BPM
17:01
->INTO
261Piper136 BPM
7:32
>SEGUE
263The Lizards152 BPM
10:15
286You Enjoy MyselfYet another two-jam version, this one stays pretty close to "YEM" but is quality all the same as it builds to a second, incendiary peak. · 103 BPM
23:30
SET eMAIN1 TRACK·0:121 CHARTED
e79MeatstickIIdarkWith synths a plenty throughout, this all too rare treat of a jammed encore version goes minor and simmers threateningly, and then, perhaps in a nod to the song's '99 roots, springs to life with soaring major guitar leads to remarkably close out the show. · 96 BPM