177AC/DC BagAnother new version suggests the song's recent resurgence may be no fluke at all. While not breaking new ground, Trey leans, and quite well, into familiar 'shapes' and sounds, before finding, and exploring, a nifty musical phrase which he drives throughout this fun, playful excursion. As the others catch on and play off Trey, direct full-band jamming builds to bring the song to its old-school close, replete with Page's twinkling keys bleeding into beautiful 'silence.' · 123 BPM
10:51
182RoggaeblissEase meets confidence as the four friends create a meld of the delicate and the thunderous ornamented with cascades and flourishes from both Trey and Mike that mark this version for closer listening. · 136 BPM
8:56
159Vultures144 BPM
7:19
151Martian Monster96 BPM
4:08
176MullCool play coasts atop a mellow groove which finds Trey strumming his way into strong, protracted and, at times, melodic soloing. Offset by measured, calibrated play, Page, near the 6:30 mark, pushes for 'brighter' sounds, his synth not so much leading the way as offering direction. Trey plays with this idea before dropping into a lower register, runs through the tune's signature line, and guides the song to a close. · 96 BPM
10:25
163Strawberry Letter 2392 BPM
4:02
>SEGUE
153Undermind162 BPM
8:30
169Petrichor112 BPM
14:08
181Life Saving GunIIThe jam finds itself immediately brimming with ideas simply by using the inertia of its driving rhythmic push. A downshift around the 10 minute mark finds the band in new territories, centered around a hypnotic, repeating bass line. With an unrelenting rhythmic center, an inspired, densely layered slab of music emerges and makes itself at home, before the clarion call of "Percussion Rinse!" signals an end. Excellent. · 68 BPM
19:09
SET 2MAIN8 TRACKS·1:252 CHARTED
266Sample in a Jar89 BPM
4:48
>SEGUE
279A Wave of HopeThis is familiar, feel-good Phish. Mike works to nudge the jam in a different direction, but Trey surges forward, pushing the band not to a false, but a near peak. Pleasantly, the jam assumes a new identity past the 12:00 mark, and from here Trey moves through a number of ideas (which becomes fairly interesting full-band play). Enough by way of 'muted' introspection allows for an impassioned "Bowie"-esque "peak," before Trey abruptly returns to close the song · 86 BPM
26:13
246Waiting All Night152 BPM
4:51
255Axilla (Part II)152 BPM
5:11
->INTO
286PiperblissRemarkable for its unrelenting drive, this high-energy bliss bomb is akin to a full-speed highway drive on a hot summer day. Trey makes it known immediately that he'll lead the charge, which he does through a series of peaks, and brief downshifts, all underpinned by the rhythm section's undeterred push. This eventually leads to a sparkling fanfare peak, before the tides recede and > "Lonely Trip". · 96 BPM
<p>Vultures contained teases of the theme from <em>The Jetsons. </em>Trey teased Birds of a Feather during Martian Monster. Petrichor was played for the first time since August 13, 2022 (121 shows). Mike teased Petrichor in A Wave of Hope. Waiting All Night was played for the first time since October 24, 2021 (164 shows).</p>
By the numbers8 STATS
RUNTIME3h 15mwith break
LONGEST26:13A WAVE OF HOPE
SHORTEST4:02STRAWBERRY LETTER 23
AVG SONG9:47across 20
JAM CHRT6charted
SEGUES50.25 per song
DEBUTS0no firsts
JAM TIME10%of 196 min
SONG DURATIONS · 20 IN ORDER0–27 MIN
A WAVE OF HOPE 26:13
● SET 1● SET 2● ENCORE
Fingerprint0D · 2BO
SETLIST · BLOCK = SONG · COLOR = OVERDUEIN ORDER →