185CitiesIIfunkThis first set delight comes out the gate with swingin' swagger. Trey locks
the band into Bmin to escape the confines of "Cities" proper and the band
develops an incredibly cohesive, melodic, effect-drenched boogie down.
After the 12 minute mark, the music takes a hazy, cinematic turn towards
patient psychedelia. This then develops into a gorgeous, technicolor
dreamscape that crescendos towards anthemic territory before > "Tube." · 96 BPM
18:47
>SEGUE
149Tube118 BPM
7:32
>SEGUE
141Taste152 BPM
7:14
143About to Run96 BPM
6:53
SET 2MAIN8 TRACKS·1:164 CHARTED
272Mr. CompletelyIIdarkAnother huge version of the once rare song in the catalog. Plucky playing from Trey around 9:30 changes the jam's trajectory. The searching, grimy jam sounds like the background to a noir detective show at times. The tempo gets kicked up towards the end, before eventually > "A Song I Heard the Ocean Sing". · 120 BPM
18:04
>SEGUE
276A Song I Heard the Ocean SingIIdarkfunk> from "Mr. Completely" comes a completely unhinged jam that immediately dives headfirst into an unrelenting, grinding, grimy groove, and in the blink of an eye flows back -> into "Mr. C". Heavy. · 103 BPM
9:32
->INTO
263Mr. CompletelyIIdarkAnother huge version of the once rare song in the catalog. Plucky playing from Trey around 9:30 changes the jam's trajectory. The searching, grimy jam sounds like the background to a noir detective show at times. The tempo gets kicked up towards the end, before eventually > "A Song I Heard the Ocean Sing". · 126 BPM
0:57
271Wolfman's BrotherIIambientA thumping, relentless version marked by Mike's new bass. Trey plays with loops and gives Mike a run for his money with bass effects of his own before leading things in a more melodic direction over a soft bed of Page's keys and driven, as always, by the "brother" himself. The jam eventually cools and fades, unfinished, on a curl of ambience that breaks for "Ruby Waves". · 103 BPM