168LlamablissAfter a wobbly start to the song, the jam transitions to bliss at 3:50, a move unique for "Llama", and then wraps traditionally. · 78 BPM
6:07
142Sand108 BPM
10:28
150The Lizards157 BPM
9:57
151Hey Stranger112 BPM
7:11
>SEGUE
180Timber (Jerry the Mule)ambientBegins in the usual tenor but becomes increasingly atmospheric and textured as it subtly brightens into a more established major sound until around 7:00 when a spunkier, more "Timber"-like energy returns to guide the jam back home. Longest version since 11/28/97. · 118 BPM
11:48
145Joy108 BPM
5:58
134Most Events Aren't Planned123 BPM
8:58
SET 2MAIN7 TRACKS·1:183 CHARTED
228More86 BPM
5:26
288You Enjoy MyselfIIA centerpiece "YEM" that takes full advantage of the two-jam format which has become familiar since 12/31/21. After a short vocal jam, the band digs back in with quality "Type II" riffing which intensifies before landing in a poignant, inspirational zone and eventually peters out -> "Twist". · 103 BPM
27:58
->INTO
275TwistIIdarkNo mere landing pad. After winding its way "in" from the remnants of a huge "YEM," the band completely divorces itself from former sounds to create yet another remarkable sonic space. Breaking quickly from the song, the jam is very much of itself and perhaps, at least initially, rich with a bit more by way of those welcome Santana over- and undertones. But then. Listen in. The jamming, if not quixotic, has something of an exotic, offbeat, hushed and admirable atonal quality. And then. Keep processing. Thanks in large part to Page, everything is something else completely. Quirky. But not quite. For Trey keeps working a number of warm melodies before play becomes pleasantly droning and noisy with Trey then screwing this heavy morass into "Twist's" signature riff. · 129 BPM
13:59
>SEGUE
279Kill Devil FallsIITight, exploratory version that wastes no time. An early stop-start section (replete
with Trey's careening sirens blocking out "woos") takes hold, before an excellent
key change leads to an (at times) polytonal synth-rich romp with top-notch
interplay. "KDF"'s DNA starts to slowly re-emerge before the jam melts from the
song's traditional ending > "Lifeboy". · 86 BPM
11:33
>SEGUE
253Lifeboy118 BPM
6:25
>SEGUE
246Also Sprach Zarathustra118 BPM
6:23
>SEGUE
227Say It To Me S.A.N.T.O.S.123 BPM
6:46
SET eMAIN1 TRACK·0:211 CHARTED
e82FuegoIIDon't leave yet! This is no perfunctory Encore on the last night of the tour as the band drops one of their longest jams ever in the extra period. Trey leads the band through multiple distinct sections of jamming. After returning to the chorus, even the feedback ending gets extended. · 103 BPM
<p>The Landlady was played for the first time since August 14, 2022 (110 shows). Trey teased Birds of a Feather in Timber (Jerry the Mule) and The 9th Cube in Kill Devil Falls. Mike teased Mr. Completely in Fuego.</p>
By the numbers8 STATS
RUNTIME2h 48mwith break
LONGEST27:58YOU ENJOY MYSELF
SHORTEST3:54THE LANDLADY
AVG SONG9:56across 17
JAM CHRT6charted
SEGUES70.41 per song
DEBUTS0no firsts
JAM TIME12%of 169 min
SONG DURATIONS · 17 IN ORDER0–28 MIN
YOU ENJOY MYSELF 27:58
● SET 1● SET 2● ENCORE
Fingerprint0D · 2BO
SETLIST · BLOCK = SONG · COLOR = OVERDUEIN ORDER →