168Wolfman's BrotherIIdarkTrey leads this one off the beaten path with a squiggly guitar tone, and as the jam continues down the rabbit hole, it reveals a dizzyingly beautiful dimension of sonic pleasures. This holds sway until a sea change around 11:00 brings a heavier, more industrial sound, setting the table for a welcome -> "Izabella" in this fantastic first-set pairing. · 99 BPM
13:20
->INTO
141Izabella112 BPM
5:26
141Leaves152 BPM
7:58
166RebaIIReally unique. One must (arguably) go back to the early days to find not a better version, but such markedly different improvisation. Near the 7:50 mark Mike drives the band towards direct, "compact" play...Trey, onboard, works through a series of licks - which he, himself, rhythmically offsets - while Fish and Page add pretty remarkable accents. True to such magnetic play, Trey wastes no time dialing in his shreddy, on-point peak; Fish, in step, quickly toms play to a close (his inspired drumming running through the "Bag it, Tag it," section). · 129 BPM
13:00
165Chalk Dust TortureIIdarkFairly quick departure after the lyrics, led at first by Page's organ and then Trey showing off his tone. The jam picks up momentum and deconstructs, becoming more percussive as Mike and Fish step forward. The bass effects propel the improvisation to a darker more aggressive space that churns temporarily before Trey's lead melodies reappear and take the band over the set closing peak. · 96 BPM
13:41
SET 2MAIN8 TRACKS·1:141 CHARTED
237Free94 BPM
8:56
>SEGUE
235Ruby Waves148 BPM
11:38
>SEGUE
240Prince Caspian162 BPM
6:58
>SEGUE
245Piper118 BPM
12:21
>SEGUE
250When the Circus Comes140 BPM
4:53
272TubeIIShowing up in the second set for only the second time since 2010, this "Tube" is a late-in-the-show surprise. Nimble playing from Trey highlights while Fish controls the tempo like the master he is. Things get whipped into a frenzy before eventually navigating back into the "Tube" riff to wrap things up. > "Wading in the Velvet Sea". · 118 BPM