190Mike's SongfunkSingle jam format, but there's a lot going on in this funk filled fan favorite. Patient but clearly directed, the band works the basic groove over and over, adding texture and accent, swelling and shrinking the energy. Around 12:00, the focus shifts to quieter musing and exploration, before finially slipping neatly into "Hydrogen." · 103 BPM
16:33
->INTO
159I Am Hydrogen74 BPM
4:34
>SEGUE
187Weekapaug GrooveIIfunkdarkA fan favorite show opens with a strong "Mike's Groove." "Weekapaug" begins with strong "Type I" jamming through 6:50, when it shifts to '97-style funk mode with a slightly dark tone. The funk ends with a "stop" and returns to "Weekapaug" in very good form. · 99 BPM
14:56
186Harry HoodThis patient "Hood" has an extended and very gradual build. The peaking section in the final few minutes is quite glorious. · 129 BPM
18:02
>SEGUE
154Train Song112 BPM
3:09
149Billy Breathes104 BPM
7:03
143Frankenstein96 BPM
4:48
>SEGUE
130Izabella112 BPM
5:36
SET 2MAIN5 TRACKS·1:032 CHARTED
296Halley's CometfunkStarting off in a funky, mellow groove, the jam gradually grows legs and momentum with excellent contributions from all four. At about 18:00, the jam downshifts to a more quiet, pensive sentiment with occasional flashes of powerful bass and percussion. A must-hear classic. · 123 BPM
Mike's Song and Tweezer both contained BEK teases, with the ones in Tweezer taking place well before the segue into BEK. Fans of stage banter will want to seek out the second set for Treyâs humorous response to the crowdâs Destiny Unbound chant before Halleyâs. The "Marco Esquandolas" lyric in Antelope was changed to "Michael Esquandolas." This show was released as part of the <em>Hampton/Winston-Salem '97</em> box set.
By the numbers8 STATS
RUNTIME2h 25mwith break
LONGEST24:17HALLEY'S COMET
SHORTEST3:09TRAIN SONG
AVG SONG9:42across 15
JAM CHRT5charted
SEGUES90.60 per song
DEBUTS0no firsts
JAM TIME13%of 146 min
SONG DURATIONS · 15 IN ORDER0–25 MIN
HALLEY'S COMET 24:17
● SET 1● SET 2● ENCORE
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SETLIST · BLOCK = SONG · COLOR = OVERDUEIN ORDER →