179GumbofunkIIambientQuickly breaks down into a Mike-led "cow funk" jam, that eventually dissipates into quiet ambiance and delay loops. Welcome to Fall '97. · 118 BPM
11:02
>SEGUE
149Maze96 BPM
13:03
>SEGUE
150Fast Enough for You136 BPM
7:56
180Also Sprach Zarathustrafunk"FEFY" dissolves into a gorgeous intro. "C&P"-like second jam features one of the coolest Mike basslines of any version. · 118 BPM
12:26
>SEGUE
145Funky Bitch108 BPM
6:48
145Guyute92 BPM
11:05
140Run Like an Antelope123 BPM
13:25
SET 2MAIN4 TRACKS·0:563 CHARTED
276Wolfman's BrotherIIdarkblissThe post-funk release is not your typical "feel good" rocking crescendo, but a quiet transition into minor mode darkness before subtly switching to major mode and -> to "Piper." · 89 BPM
14:52
->INTO
241Piper118 BPM
8:59
>SEGUE
287TwistIIdark> in from "Piper." The jam starts off typically, but soon morphs into a swirling and dissonant beast. An extended Trey solo follows this section and > to an epic "Slave To The Traffic Light." · 118 BPM
15:58
>SEGUE
288Slave to the Traffic LightEpic, long version that works very well. Impeccably well-played. Here, the journey, rather than the ending, is what really counts (although the ending is pretty spectacular, too). · 118 BPM
<p>Maze was unfinished. Trey dedicated Guyute to Paul Languedoc in reference to Paul’s purported comment to the band that any song with whistling is a good song. Consequently, Antelope contained whistling in both the opening section and closing “Marco Esquandolas” section (with Trey whistling lyrics). The soundcheck's Smoke on the Water was an instrumental. This show is available as an archival release on LivePhish.com.</p>
By the numbers8 STATS
RUNTIME2h 28mwith break
LONGEST16:21SLAVE TO THE TRAFFIC LIGHT
SHORTEST6:48FUNKY BITCH
AVG SONG11:23across 13
JAM CHRT5charted
SEGUES60.46 per song
DEBUTS0no firsts
JAM TIME15%of 148 min
SONG DURATIONS · 13 IN ORDER0–17 MIN
SLAVE TO THE TRAFFIC LIGHT 16:21
● SET 1● SET 2● ENCORE
Fingerprint0D · 2BO
SETLIST · BLOCK = SONG · COLOR = OVERDUEIN ORDER →