169Mike's SongSolid 1st jam with good variation. The 2nd jam is relatively short by '95 standards, but includes another good Mike and Page showcase while Trey uses the guitar to create a soundscape background before hopping to the mini kit briefly. · 103 BPM
13:29
>SEGUE
137A Day in the Life152 BPM
4:30
>SEGUE
133Poor Heart162 BPM
2:15
>SEGUE
175Weekapaug GroovefunkA vigorously played version that packs a lot of punch. Strong funky elements enhance the excellent typical fare. · 70 BPM
269FluffheadMinor early issues aside, the playing in Who Do? We Do! is very sharp and powerful. In Clod, Trey seems to use a reverb-like effect, which pairs well with Page's soloing - a soundboard would be a huge plus. A full-throttle, slightly extended Arrival includes some sweet, Leslie-infused trilling by Trey near the conclusion. This is classic 1995 Phish. · 99 BPM
15:31
248Sleeping Monkey148 BPM
5:40
>SEGUE
245Frankenstein99 BPM
5:11
->INTO
2—Suspicious Minds
>SEGUE
250Hold Your Head Up144 BPM
6:14
276Run Like an AntelopeIIJam starts off largely straightforward but gets more out there as it progresses with key changes and rhythmic bending. · 129 BPM
Trey teased Nellie Kane in Weekapaug. Ya Mar contained Lizards teases from Trey. Amazing Grace was performed without microphones. Trey sang the verses of Fee through a megaphone. GTBT was preceded by a Black or White tease from Trey and subsequently included Heartbreaker teases.
By the numbers8 STATS
RUNTIME2h 49mwith break
LONGEST17:54DAVID BOWIE
SHORTEST1:38THE HORSE
AVG SONG7:22across 23
JAM CHRT5charted
SEGUES110.46 per song
DEBUTS0no firsts
JAM TIME9%of 170 min
SONG DURATIONS · 24 IN ORDER0–18 MIN
DAVID BOWIE 17:54
● SET 1● SET 2● ENCORE
Fingerprint0D · 0BO
SETLIST · BLOCK = SONG · COLOR = OVERDUEIN ORDER →