184PossumHard rocking version grows increasingly dissonant with several brief departures that stretch the bounds of "Possum" and a hot peak. · 99 BPM
12:54
150Guyute99 BPM
9:30
139If I Could89 BPM
7:05
186FoamPage's solo is pretty amazing on its own, but especially when coupled with the dynamic interplay among the band during this section. Trey has a very quiet solo, and the build-up features great Trey/Fish teaming. · 118 BPM
10:42
148The Horse112 BPM
1:29
>SEGUE
130Silent in the Morning103 BPM
5:05
>SEGUE
134Poor Heart172 BPM
2:16
>SEGUE
129Cavern123 BPM
4:30
SET 2MAIN6 TRACKS·1:102 CHARTED
244Halley's Comet123 BPM
5:17
>SEGUE
293David BowieIIThe Other One. All fans should be familiar with this version as well as Providence. Of the two, this one is more musically oriented. A downright masterpiece. · 103 BPM
37:28
254Sweet Adeline145 BPM
1:52
234The Lizards103 BPM
10:31
236Sample in a Jar89 BPM
4:47
>SEGUE
277Slave to the Traffic LightVersion featured on A Live One. Like many of the stellar '94s, this "Slave" has a huge dynamic shift from the subtle, quiet, early part of the jam, to the soaring, high intensity peak. · 92 BPM
Guyute was incomplete, as it was missing the second verse. Trey teased Nellie Kane in Poor Heart. Bowie included a vacuum jam from Fish. This version of Slave appears on <em>A Live One</em>.
By the numbers8 STATS
RUNTIME2h 13mwith break
LONGEST37:28DAVID BOWIE
SHORTEST1:29THE HORSE
AVG SONG8:20across 16
JAM CHRT4charted
SEGUES60.38 per song
DEBUTS0no firsts
JAM TIME13%of 134 min
SONG DURATIONS · 16 IN ORDER0–38 MIN
DAVID BOWIE 37:28
● SET 1● SET 2● ENCORE
Fingerprint0D · 0BO
SETLIST · BLOCK = SONG · COLOR = OVERDUEIN ORDER →