SETLIST· 21 TRACKS · 2H 11MSET 1 · SET 2 · SET e · SET e2
SET 1OPENING10 TRACKS·0:58
156Rift81 BPM
6:24
154Horn89 BPM
3:38
153Foam110 BPM
8:36
142Fee137 BPM
5:41
>SEGUE
147Split Open and Melt120 BPM
10:43
165The Man Who Stepped Into Yesterday106 BPM
3:51
>SEGUE
155Avenu Malkenu185 BPM
3:14
>SEGUE
163The Man Who Stepped Into Yesterday99 BPM
1:23
142Axilla162 BPM
3:45
>SEGUE
152Possum96 BPM
10:46
SET 2MAIN9 TRACKS·0:552 CHARTED
259The Landlady185 BPM
3:41
>SEGUE
233Poor Heart162 BPM
2:21
249Julius89 BPM
8:19
278FluffheadRight from the start, this excellent version is loaded with sprinkles of improvisation, well worth the visit despite minor flaws. Unlike most '94 performances, this one seems less intense and high power, and instead, adopts a more experimental approach. From Fluff's Travels to little spots in Clod, this "Fluffhead" is just a bit different than most. Page's piano solo in Clod is wild and crazy, while Trey's guitar efforts in Arrival seem to visit some slightly new territory. · 99 BPM
14:13
>SEGUE
244Big Ball Jam103 BPM
2:34
279Run Like an AntelopedarkDissonant and improvisational jam that gets way out there at a couple of points, and has a little Trey solo in the "Marco" section. · 133 BPM
Trey sang the verses of Fee through a megaphone. Dog Faced Boy was acoustic and was, along with Sweet Adeline, performed without microphones. Before Dog Faced Boy, Trey introduced Fish for a “balloon and emotion solo...that will reach into your soul and rip your heart out of your body.” Harpua included a Stonehenge quote and Flash Light jam and told of Jimmy attending a Bootsy Collins concert.
By the numbers8 STATS
RUNTIME2h 11mwith break
LONGEST15:11HARPUA
SHORTEST1:23THE MAN WHO STEPPED INTO YESTERDAY
AVG SONG6:35across 20
JAM CHRT2charted
SEGUES60.29 per song
DEBUTS0no firsts
JAM TIME10%of 132 min
SONG DURATIONS · 21 IN ORDER0–16 MIN
HARPUA 15:11
● SET 1● SET 2● ENCORE
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