172JamA really good and rocking stand-alone jam opens the show. Almost has an Allman Brothers or Grateful Dead-like vibe. · 103 BPM
5:37
150Colonel Forbin's Ascent152 BPM
6:51
>SEGUE
151Fly Famous Mockingbird123 BPM
7:10
180Mike's SongWith an unknown percussionist, there's a cool little intro section. The jam is really the first version that starts to sound similar to the modern "Mike's" jam. There's decent improvisation within the jam section, as well as a nice spirited peak leading to the closing. · 106 BPM
8:44
>SEGUE
160I Am Hydrogen162 BPM
2:30
>SEGUE
160Weekapaug GrooveDebut. First version is played at a slightly slower tempo and includes an additional, unknown percussionist. Nice Trey shredding on the first go around, plus a "Mike's Song" vocal refrain and jazzy ending. · 123 BPM
6:38
152The Lizards123 BPM
7:52
154On Your Way Down129 BPM
6:05
141AC/DC Bag123 BPM
7:46
>SEGUE
158PossumUnknown additional percussionist. The jam begins in a low-key manner, with nice added texture from the percussionist. · 96 BPM
8:40
160Walk Away112 BPM
3:42
152Bold As Love136 BPM
6:14
153No Dogs Allowed152 BPM
13:16
158The Sloth185 BPM
4:12
148Fire129 BPM
6:06
SET 2MAIN13 TRACKS·1:183 CHARTED
291The Curtain WithIIAn unprecedented and highly improvisational version, which includes an unknown additional percussionist. Following a strong run through The Curtain section, the band breaks into the familiar With jam. However, this jam quickly takes on a more dissonant and frenetic character, with "DEG"-like undertones, although it retains some semblance of With through about the 15:00 mark. After this point, the band breaks for "DEG," followed by some abstract and crazed jamming, a testament to the band's nascent improvisational nature. Eventually, the playing returns to the customary With ending. · 118 BPM
21:09
->INTO
2—Dave's Energy GuideWith an additional percussionist. -> in from "The Curtain With." Includes both "DEG" and a lot dissonant, "DEG"-like jamming that makes up a good chunk of this unique, jammed-out version of the "The Curtain With."
->INTO
2—The Curtain WithIIAn unprecedented and highly improvisational version, which includes an unknown additional percussionist. Following a strong run through The Curtain section, the band breaks into the familiar With jam. However, this jam quickly takes on a more dissonant and frenetic character, with "DEG"-like undertones, although it retains some semblance of With through about the 15:00 mark. After this point, the band breaks for "DEG," followed by some abstract and crazed jamming, a testament to the band's nascent improvisational nature. Eventually, the playing returns to the customary With ending.
271Wilson108 BPM
7:07
247Terrapin113 BPM
5:04
259Run Like an Antelope120 BPM
13:00
263Satin Doll144 BPM
6:05
2—Blue Bossa162 BPM
11:50
249La Grange172 BPM
5:38
250Alumni Blues129 BPM
6:05
>SEGUE
2—Letter to Jimmy Page
>SEGUE
2—Alumni Blues
242Peaches en Regalia112 BPM
2:53
SET 3MAIN7 TRACKS·1:062 CHARTED
351You Enjoy Myself118 BPM
20:27
351Contact118 BPM
6:20
383Harry HoodGreat version with strong communication and interplay among the four band mates. This one really lifts off after 10:30. · 115 BPM
13:53
345Dinner and a Movie99 BPM
4:01
385Slave to the Traffic LightblissGreat quiet interplay at first between Trey, Mike, and Page. Then at 5:15, Pete Danforth kicks in on saxophone, and the result is a super and unexpected combination, with an impressive and fiery peak. · 96 BPM
This gig was a party at the home of local Burlington musician Peter Danforth and included the first known performance of Weekapaug and No Dogs Allowed as well as the first known Phish performance of Walk Away. This version and the next known version of No Dogs Allowed (released by the band on <em>Colorado â88</em>) concluded with a substantial section of Divided Sky. Fire, Satin Doll and Blue Bossa featured Danforth and Dave Grippo on horns. Blue Bossa also featured "Vincent" on trumpet and Slave also featured Danforth on saxophone. Forbin's through Bold As Love, The Curtain With through Wilson, Antelope, Alumni, Letter To Jimmy Page, YEM, and Contact all featured an unknown additional percussionist. After Weekapaug, Fish teased both Weekapaug and Peaches on the drums. Lizards included a Mockingbird tease from Page. Fire's lyrics were changed to "move over, Rover, and let Cameron take over." Terrapin contained a Fish trombone solo.
By the numbers8 STATS
RUNTIME4h 6mwith break
LONGEST21:09THE CURTAIN WITH
SHORTEST2:30I AM HYDROGEN
AVG SONG7:57across 31
JAM CHRT9charted
SEGUES80.23 per song
DEBUTS0no firsts
JAM TIME6%of 247 min
SONG DURATIONS · 35 IN ORDER0–22 MIN
THE CURTAIN WITH 21:09
● SET 1● SET 2● ENCORE
Fingerprint3D · 3BO
SETLIST · BLOCK = SONG · COLOR = OVERDUEIN ORDER →