> from "Mike's Song", play is fluid, almost languid, great bass and drums accented by Trey's liquid tone and Page, who twice 'sprays' synth across the stage.

Following a really cool line, listen for the locked-in audience (5:45) response before Trey, and the jam, takes off. What follows is Phish at its finest, post-21 refinement, perfect unrushed balance, improv that rolls, roils, and, refreshingly, doesn't build to peak but, rather, smartly draws to a close.