Excellent, extremely fluid version with "old-school" overtones.

Play is primarily straightforward, but there is beauty in this, given that one: The band quickly, and quite notably departs to jam (almost as if to atone for the absence of ideas of the "Oblivion" Trey aborts to -> into "Lope,"), and perhaps more importantly, two: Given the nature of the song, it is principally marked by Trey and Page's intricate play.