Spoiler: No "Myfe" ending.

Instead, we are again spoiled as Trey pushes the band into extended, driving, and impressively focused improvisation. If this is "new norm," this version is arguably the most direct, with terrific intraband play well through the 11:00 mark. Here, play brightens, but eschews "bliss" in favor of more melodic, note-driven ideas, underscored by a terrific percussion rinse and play from Page on his concert grand. Jam peaks, but it's more in the form of a welcome release, and a huge blast of sustain; this cools to set up a wonderful "Brian and Robert."