Towards the beginning of the jam, Trey sustains a note, which Page takes as a cue to introduce soaring harmonic counterpoint, including a hint to a major mode shift; this wrangles back to the "Everything's Right" theme.

11:30 sees Trey and Mike introduce a new chord vamp, and this yields a patient and smooth segue into major key bliss jamming by 13:45. Page builds with Fish's, and Trey goes whale call while building off of Mike's harmonic counterpoint. A pleasant feedback- and piano-dominated peak builds, climaxes, morphs, and finally reaches a graceful conclusion at 17:45.