Typically impressive play splits open and melts into one of the summer's more interesting extended improvisational passages.

Around the 14:00 mark Mike works his effects and Trey follows suit, a bit of lead bass fronting a super bit of creativity which toys with the song's melodic variation, at times funky, at others maintaining a bit of delay-heavy darkness, before the jam, ultimately, moves from a carnival-vibe to become joyous. In other words: More Great Phish.