Page's synthesizers usher in a characteristically '17-'18 mellow ambience, which Trey pushes to murk with more characteristic-for-2018 fast Leslie rotary.

Mike and Page shift the jam to type bliss pastures; Page switches to piano, and a patient build of tension floats this jam towards a bliss peak. Trey accentuates the ascent with reverse delay and octave up effects, and Fishmam with ride-based syncopation. Mike builds up one final heavy and danceable groove to give focus and cohesion to the back half of this jam, which Trey and Mike wind down to quiet effects-laden ambience.