A multi-passage monstrosity grows its sea legs out of the Delaware River as the band walks this "Everything's Right" around the corner and back.

Up top, dark minor-mode jamming is propelled thanks to Page' synth and stellar bass work from Mike; this eventually paves the path to a happy and fluid bliss jam. A second key change first heads for grimy Leslie-driven plinko, until Trey steps up with whale call and a second prominent bliss peak unfolds thanks to Fish's dynamic improvisation. An abrupt return to the final chorus winds down to close out the tune and, in turn, the set.