One of those "Writing about music is like dancing about architecture" versions, but here goes: A strong composed section cools and, wonderfully, in lieu of working through pleasant, but familiar space, Trey seems to toy with "The Little Drummer Boy" (11:02), a line which leads through a passage(s) of concerted, cerebral, full-band play.

The jam becomes stately, and "Coil"-esque in nature. But this is no outro. More great soloing follows as Trey works the music to a perfectly balanced peak.