After a nice low-key standard jam, the music dissolves into a delicate guitar scratch/minimal percussion duet, almost like King Crimson's "Moonchild".

Page and Mike jump in and add color to the proceedings, then Page and Trey hit on a repeating pattern that reignites the jam. The band wallows in odd '94-style atonality, weird vocals and Mike's envelope filter and all, then a pitch-black late night groove emerges with Page's electric piano at the forefront and Fish adding a militaristic edge. Exceptionally deep music.