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Phish track · Set 1 · #1

Reba

Name: Reba (2000-07-06) - Audio Analysis
Creator: Foul Domain

A 20-minute version from Molson Amphitheatre in Toronto, Ontario on 2000-07-06. Charted by the community.

DATE · 2000-07-06·SHOW · Molson Amphitheatre·LENGTH · 20:04·Type IIExperimental

85TRACK

OF 397 VERSIONS

#27

ALL-TIME · #789 · 98th percentile

TRACK · SCORED v3.2← LEADERBOARD

Reba

2000-07-06·Molson Amphitheatre·Toronto, Ontario

2000 SUMMER U.S. TOUR·Set 1·POS 01 / 120:04

85SCORE

COMPOSITE · RANK AMONG VERSIONS

v27 of 397

#27 OF 397 · REBA CATALOG

JAM IN · 6:43

0:0020:04

DEEP ANALYSIS · LIBROSA v3.24 OF 24

PEAK AT14:43of 20:04

DYN dB8.9tight

ONSET/s4.2open

BPM99era 1.0

How this version scoredMETHODOLOGY →

10 COMPONENTS · ONE COMPOSITEv3.3

0%306090100%

Popularity11%

Consensus10%

Jam Chart12%

100

Recognition12%

Energy12%

Groove12%

Harmonic9%

Duration9%

100

Volatility8%

Review5%

WEIGHTED · 100/100OPEN METHODOLOGY →

Charted jamPHISH.NET →

PHISH.NET JAM CHART · CURATOR NOTE

Huge show-opener featuring focused, pretty play, and the interesting sort of innovation associated with 2000 jamming.

In lieu of pursuing a "peak," the band plays patiently, deft musicianship on full display, Trey in particular working through a number of ideas and really incredible effects (see: 14:28), culminating in great "strumming" which, later, he revisits note for note.

TYPE IIEXPERIMENTAL

From this showSet 1 · 12 SONGS

2000-07-06 · Molson Amphitheatre

Toronto, Ontario · 2000 SUMMER U.S. TOUR · SHOW SCORE 74

74SHOW

Set 1

I-1RebaYOU ARE HERE20:04 I-2Dogs Stole Things4:30 I-3Taste13:12 I-4Dog Faced Boy3:12 I-5Heavy Things5:32 I-6The Moma Dance12:38 I-7First Tube8:33 I-8I Didn't Know5:12 I-9The Inlaw Josie Wales3:13 I-10Prince Caspian9:35 I-11Golgi Apparatus4:43 I-12You Enjoy Myself20:45 OPEN FULL SHOW PAGE→

Other versions397 OF · SONG PAGE →

SAME SONG · RANKEDSWIPE →

08.16.93American TheaterSt. Louis · MO95 12.08.94Spreckels TheatreSan Diego · CA94 08.02.03Loring Commerce CentreLimestone · ME92 07.03.11Watkins Glen InternationalWatkins Glen · NY91 10.29.98Greek TheatreLos Angeles · CA90

From this show3 TOP CUTS

SHOW STAND-OUTS · 2000-07-06SWIPE →

2·13Limb By Limb13:1988 2·14Also Sprach Zarathustra10:5385 1·12You Enjoy Myself20:4583

SONG →/songs/reba SHOW →/shows/2000-07-06-molson-amphitheatre-toronto-ontario METHOD →/methodology

FOUL DOMAIN/tracks/24526 · v3.2

FOUL DOMAIN · INDEPENDENT · NOT AFFILIATED WITH PHISH

DISPLAY· TRACK SPECTRUMINPUT · TRACK_FEATURES.WAVEFORM

JAM IN · 6:44

0:005:0110:0215:0320:04

JAM IN · 6:44PEAK · 14:44SAMPLE RATE 44.1 kHzSOURCE PHISH.IN

DEEP AUDIO ANALYSIS· LIBROSA CURVESENERGY · TEMPO · SPECTRUM

Radar · component scores0–100 normalized

Energy-11.3 dB

Loudness1.3 dB

Dynamic range8.9 dB

Rhythmic density4.17/sec

Brightness1069 Hz

Flatness0.002

Harmonic variance0.073

Feature curves · over time0 → 20:04

EnergyLoudness envelope, dB

0:0010:0220:04

Perceptual loudnessShort-term LUFS, psychoacoustically weighted

0:0010:0220:04

BrightnessSpectral centroid — where the weight of the sound sits

0:0010:0220:04

Rhythmic densityOnsets per second, log-scaled

0:0010:0220:04

Tempo92–199 bpm · avg 117

0:0010:0220:04

Spectral flatnessTonal → noisy. Low = pitched; high = wash

0:0010:0220:04

READOUT· COMPOSITE SCORE · COMPONENT BREAKDOWN98TH PERCENTILE

Popularity11%28

Consensus10%0

Jam Chart12%100

Recognition12%48

Energy12%50

Groove12%46

Harmonic9%33

Duration9%100

Volatility8%59

Review5%0

SCORE FORMULA · v3.3 · RECALIBRATED 2026-05-13OPEN METHODOLOGY →

INSTRUMENTATION· LIBROSA · v0.10.26 / 6 CHANNELS LIVE

LENGTH20:04long form

BPM99average

DYN dB8.9mid range

RHYTHM4.2/sbusy onset

PEAK14:44at 73%

JAM IN6:44manual tag

PHISH.NET JAM CHART · CURATOR NOTE

Type IIExperimental

Huge show-opener featuring focused, pretty play, and the interesting sort of innovation associated with 2000 jamming. In lieu of pursuing a "peak," the band plays patiently, deft musicianship on full display, Trey in particular working through a number of ideas and really incredible effects (see: 14:28), culminating in…