← BACK·TRACKS·Wilson

CHARTED · JAM

Phish track · Set 2 · #16

Wilson

Name: Wilson (1999-07-04) - Audio Analysis
Creator: Foul Domain

A 9-minute version from Lakewood Amphitheatre in Atlanta, GA on 1999-07-04. Charted by the community.

DATE · 1999-07-04·SHOW · Lakewood Amphitheatre·LENGTH · 8:48·ExperimentalRock

86TRACK

OF 291 VERSIONS

ALL-TIME · #621 · 98th percentile

TRACK · SCORED v3.2← LEADERBOARD

Wilson

1999-07-04·Lakewood Amphitheatre·Atlanta, GA

1999 SUMMER U.S. TOUR·Set 2·POS 16 / 168:48

86SCORE

COMPOSITE · RANK AMONG VERSIONS

v9 of 291

#9 OF 291 · WILSON CATALOG

0:008:48

DEEP ANALYSIS · LIBROSA v3.24 OF 24

PEAK AT6:19of 8:48

DYN dB12.1wide

ONSET/s2.2open

BPM99era 1.0

How this version scoredMETHODOLOGY →

10 COMPONENTS · ONE COMPOSITEv3.3

0%306090100%

Popularity11%

Consensus10%

Jam Chart12%

100

Recognition12%

Energy12%

Groove12%

Harmonic9%

Duration9%

Volatility8%

Review5%

WEIGHTED · 100/100OPEN METHODOLOGY →

Charted jamPHISH.NET →

PHISH.NET JAM CHART · CURATOR NOTE

Lengthy, noisy, free jazz-like improvisation, with several false endings, arhythmic hits, and whammy pedal worship, before "BLAT BOOM".

EXPERIMENTALROCK

From this showSet 2 · 9 SONGS

1999-07-04 · Lakewood Amphitheatre

Atlanta, GA · 1999 SUMMER U.S. TOUR · SHOW SCORE 69

69SHOW

Set 2

II-1Ghost13:21 II-2Slave to the Traffic Light11:41 II-3The Horse0:49 II-4Silent in the Morning5:36 II-5What's The Use?7:59 II-6WilsonYOU ARE HERE8:48 II-7Mike's Song9:23 II-8Sleeping Monkey5:16 II-9Weekapaug Groove9:45 OPEN FULL SHOW PAGE→

Other versions291 OF · SONG PAGE →

SAME SONG · RANKEDSWIPE →

12.08.92Barrymore TheatreMadison · WI91 07.03.11Watkins Glen InternationalWatkins Glen · NY90 07.29.17Madison Square GardenNew York · NY90 08.17.92The Coach HouseSan Juan Capistrano · CA89 07.08.98ZelesteBarcelona88

From this show3 TOP CUTS

SHOW STAND-OUTS · 1999-07-04SWIPE →

2·12Slave to the Traffic Light11:4185 2·15What's The Use?7:5981 1·2Ya Mar13:1979

SONG →/songs/wilson SHOW →/shows/1999-07-04-lakewood-amphitheatre-atlanta-ga METHOD →/methodology

FOUL DOMAIN/tracks/22988 · v3.2

FOUL DOMAIN · INDEPENDENT · NOT AFFILIATED WITH PHISH

DISPLAY· TRACK SPECTRUMINPUT · TRACK_FEATURES.WAVEFORM

0:002:124:246:368:48

JAM IN · —PEAK · 6:19SAMPLE RATE 44.1 kHzSOURCE PHISH.IN

DEEP AUDIO ANALYSIS· LIBROSA CURVESENERGY · TEMPO · SPECTRUM

Radar · component scores0–100 normalized

Energy-10.0 dB

Loudness2.4 dB

Dynamic range12.1 dB

Rhythmic density2.19/sec

Brightness1325 Hz

Flatness0.003

Harmonic variance0.062

Feature curves · over time0 → 8:48

EnergyLoudness envelope, dB

0:004:248:48

Perceptual loudnessShort-term LUFS, psychoacoustically weighted

0:004:248:48

BrightnessSpectral centroid — where the weight of the sound sits

0:004:248:48

Rhythmic densityOnsets per second, log-scaled

0:004:248:48

Tempo92–199 bpm · avg 112

0:004:248:48

Spectral flatnessTonal → noisy. Low = pitched; high = wash

0:004:248:48

READOUT· COMPOSITE SCORE · COMPONENT BREAKDOWN98TH PERCENTILE

Popularity11%14

Consensus10%0

Jam Chart12%100

Recognition12%46

Energy12%81

Groove12%61

Harmonic9%0

Duration9%92

Volatility8%38

Review5%50

SCORE FORMULA · v3.3 · RECALIBRATED 2026-05-13OPEN METHODOLOGY →

INSTRUMENTATION· LIBROSA · v0.10.25 / 6 CHANNELS LIVE

LENGTH8:48standard

BPM99average

DYN dB12.1wide dynamics

RHYTHM2.2/smoderate

PEAK6:19at 72%

JAM IN—auto only

PHISH.NET JAM CHART · CURATOR NOTE

ExperimentalRock

The solo starts in a metal chug but then pushes away at the boundaries, getting into some interesting rhythmic interplay, and sloppily-yet-joyfully landing on a descending Zeppelin-like riff preceding "Mike Christian". Lengthy, noisy, free jazz-like improvisation, with several false endings, arhythmic hits, and whammy…