Patient, provocative, and playful jamming emerges near the 6:00 mark, a vestige from the intro, which features manic teasing.

Truly cool improv follows, notable for hushed, eerie, thematic "non"-play , which, like a powerfully "weak" pulse, all but flat-lines - in the best possible way. Trey literally cycles through ideas, the band full of life and support, as the version builds and builds, before, while hinting at "DEG," comes to a classic, crashing, close.