SETLIST· 22 TRACKS · 3H 4MSET 1 · SET 2 · SET 3 · SET e
SET 1OPENING10 TRACKS·1:23
147Bouncing Around the Room108 BPM
4:03
145Kill Devil Falls91 BPM
10:49
>SEGUE
145Peaches en Regalia99 BPM
3:32
142Free92 BPM
8:55
154Divided Sky123 BPM
13:41
135Tube123 BPM
7:11
160Mountains in the Mist118 BPM
7:23
146Reba123 BPM
11:02
143Twist129 BPM
9:52
>SEGUE
140Character Zero136 BPM
7:24
SET 2MAIN9 TRACKS·1:225 CHARTED
257My Friend, My Friend92 BPM
10:47
>SEGUE
245No Men In No Man's Land103 BPM
12:12
>SEGUE
278Ruby WavesIIBananas - there's possibly something like six (or whatever) key changes - Phish arguably performs a parody of a "Type II" Phish song. While there may be segments one might not recommend, it's almost as if there's willful-sh*t in this version. And so perhaps you'd rec. it all. It's crazed. The ending might leave you thinking, "WTF?", too. Awesome. > "Pillow Jets." · 118 BPM
15:20
>SEGUE
282Pillow JetsIIambient> from "Ruby Waves," the jam (once through the song) is more an interlude, a punishing kaleidoscope of sound sure to please shoegazers and those with their heads in the clouds. Terrific outro-cum-drawn-out segue for a rabid "YPC." · 123 BPM
9:59
->INTO
265Your Pet CatII> from "Pillow Jets," the song, some of the faster Phish you’ll hear these days (this version, anyway), functions as an extension of the set's sound, "YPC's" signature-lick taking several speedy laps before Trey breaks to solo, at points melodically, and hammer the -> drawing out "Ruby Wave's" conclusion. · 86 BPM
6:49
->INTO
267Ruby WavesIIBananas - there's possibly something like six (or whatever) key changes - Phish arguably performs a parody of a "Type II" Phish song. While there may be segments one might not recommend, it's almost as if there's willful-sh*t in this version. And so perhaps you'd rec. it all. It's crazed. The ending might leave you thinking, "WTF?", too. Awesome. > "Pillow Jets." · 114 BPM
0:39
>SEGUE
247Ghost123 BPM
9:30
->INTO
241No Men In No Man's Land144 BPM
0:58
>SEGUE
274FluffheadIn keeping with Phish's renewed appreciation for faithful performances of
their classic material, this version is distinguished not only by high-level
execution through "Fluff's" most challenging passages, but also by an
incendiary "Arrival" section, with Trey sending sheets of euphoric sound
throughout the Woodlands of Dover. · 99 BPM
16:32
SET 3MAIN1 TRACK·0:001 CHARTED
3—Woodlands JamIIambientblissPerformed behind a giant curtain which obscured the stage and served as a screen for dynamic visuals designed by Moment Factory like those shown at Sphere earlier in the year to morph and intensify with the music, this experiential set is another massive must-hear festival instrumental. Dubbed the "Woodlands Jam" to reflect the name and arboreal setting of the Mondegreen festival grounds in Dover, DE, trees are also predominant in the imagery shown throughout. Following that same theme, the opening minutes of the jam can be interpreted as the sounds of the forest as it stirs to life and slowly envelops the listener in a musical massage. With Trey employing the acoustic guitar in a jam like never before, Page layering in dreamy synths, and Mike and Fish providing delicate rhythmic accompaniment, a baseline of peaceful post-rock crossed with psychedelic folk is established, a mode which is returned to later in the set. The first step outside of this zone is marked by the snarling electric guitar and percussive rolls shortly before 12 minutes which introduce a much more assertive segment of rock that quickly escalates and becomes chaotic and decidedly uneasy as synth textures from Mike and Trey come to the forefront. After a brief reemergence of the acoustic calm of the first movement around 20 minutes, the electrified sound returns and builds waves of bliss around an indelible theme led by Trey simultaneously riffing on both electric and acoustic guitars until some rock and minor dissonance creeps in, leading to a sudden shift after 35:00 into a thrilling high-speed chase which gets heavier and more hectic as it builds to a frenzied peak. Then, at 43:00 a final celebratory coda is unleashed to peak the jam a second time and leave the Woodlands awash in a beautiful buzz.
This was the second show of the Mondegreen festival. Kill Devil Falls was unfinished. Reba did not contain the whistling ending. Trey and Mike teased Moby Dick at the end of MFMF, and it did not contain the "Myfe" ending. Before Hood, Trey told "that one guy over there in the white shirt" that they always do a secret set at these festivals and not to go back to the campground after the encore. For the "secret" third set, the stage was draped with a ribboned screen on which abstract images, trees, flowers and animals were projected, with the band playing behind. As the jam ended, the date and the words "PLAY" and "REC" appeared onscreen to give the appearance of looking through a camcorder's viewfinder. After the band left the stage, the images flickered and ended, and the status changed to "STOP."
By the numbers8 STATS
RUNTIME3h 4mwith break
LONGEST16:32FLUFFHEAD
SHORTEST0:39RUBY WAVES
AVG SONG8:47across 21
JAM CHRT6charted
SEGUES110.50 per song
DEBUTS0no firsts
JAM TIME10%of 185 min
SONG DURATIONS · 22 IN ORDER0–17 MIN
FLUFFHEAD 16:32
● SET 1● SET 2● ENCORE
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