179The Moma DanceLoose intro with Trey entering on lead vocals sans Fish, while the outro bends the usual structure by downshifting into a more group-oriented jam before gaining intensity and peaking with some snarling guitar leads. · 96 BPM
11:48
138Pebbles and Marbles129 BPM
8:30
185Theme from the BottomdarkambientDespite some tuning issues in the composed section, the band ultimately delivers the second massive "Theme" of '22. The usual soaring play giving way around 6 min as Trey shifts to a more rhythmic approach and Page adds some crunch on the clav. The jam, gaining momentum, grows darker propelled by Mike's aggressive lines and Fishman's deft cymbal work as Trey's tone becomes grittier. Page moves back to piano and around 11 min the band modulates to a brighter space with Trey continuing to adjust his sound. Play then turns atmospheric under the influence of Page's synths and Mike's bass effects before > to "Reba". · 96 BPM
15:00
>SEGUE
145Reba129 BPM
13:19
136The Howling112 BPM
6:55
>SEGUE
142Foam99 BPM
7:27
>SEGUE
145Run Like an Antelope120 BPM
9:37
SET 2MAIN5 TRACKS·1:163 CHARTED
278No Men In No Man's LandBig set 2 opener that retains a steady, unhurried pace throughout. The band patiently books along, executing several modulations and subtle changes to the groove with Page and Trey's locked-in textural interplay standing out. The jam gradually builds in intensity, eventually arriving at an emphatic closing section full of energetic and dexterous Trey peaks. · 136 BPM
20:44
246Golden Age108 BPM
18:00
280SandblissFlirts with a few blissful passages in the first half, but at 10:45 this version locks into a propulsive, heavy jam with Trey pouring on a bevy of punishing riffs, and then wraps up with a final cimb interspersed in the traditional closing. · 112 BPM
17:48
>SEGUE
260If I Could94 BPM
6:45
273I Always Wanted It This WayPowerful and frenetic version that tears through MSG to end a massive second set. Fishman and Mike develop a forceful, driving rhythm as Page envelops the music with cascading synthesizer and electric piano textures. Atop this, Trey cycles through his rig and spits hellfire from his guitar, peeling the paint off the walls with nuanced sonic intensity. · 123 BPM