SETLIST· 23 TRACKS · 4H 47MSET 1 · SET 2 · SET 3 · SET e
SET 1OPENING9 TRACKS·1:354 CHARTED
191Walls of the CaveIIJam breaks from the standard at 11:00 into a mellow groove that builds energy and > to "Runaway Jim." · 136 BPM
15:30
>SEGUE
183Runaway JimIIVery improvisational, "Type II" version with a -> to a very improvisational, "Type II" "Gotta Jibboo." · 136 BPM
12:23
->INTO
183Gotta JibboodarkThe yang to 4/16/04's yin. Tight playing for '04. Dark and grimy up front, but once it pushes through to the heavens this "Gotta Jibboo" is breathtaking. · 123 BPM
15:19
169You Enjoy Myself99 BPM
19:57
>SEGUE
153Sample in a Jar86 BPM
4:34
>SEGUE
149Axilla152 BPM
3:30
>SEGUE
144Poor Heart152 BPM
2:22
>SEGUE
186Run Like an AntelopeJam segment rages practically non-stop, and Tom Marshall assists with the "Rocco" lyrics. · 123 BPM
13:30
158Fire130 BPM
8:00
SET 2MAIN6 TRACKS·1:062 CHARTED
291AC/DC BagIINimbly textured and surgically precise like the big '97 "Bags?" No. Highly improvisational, well played AND a great listen? Absolutely. This version is MUST-HEAR, like 11/21/97, 12/30/97 and 9/14/99. The Coventry "Bag" is full of "2.0-style jamming," is played very well overall, and it's highly listenable. -> to "46 Days." · 123 BPM
20:16
->INTO
25046 Days148 BPM
3:52
>SEGUE
269Halley's Comet118 BPM
8:50
->INTO
253Ya Mar129 BPM
6:59
290David BowieTrey talks about writing "David Bowie" for 4 1/2 minutes before the song - well worth hearing. The jam itself is pretty decent with a nice little shift to major mode and an intense ending. · 123 BPM
17:39
263Character Zero152 BPM
9:09
SET 3MAIN7 TRACKS·1:424 CHARTED
385TwistIIA decent jam develops which has an underlying Mike and Fish fueled groove that continues almost throughout. Trey at times uses a lot of distortion, and his seeming lack of direction gives the jam a disjointed feel. Great -> to "The Wedge." · 118 BPM
16:39
->INTO
330The Wedge86 BPM
5:27
390StashIIWhile the composed section is far from spotless, the jam is very good and multi-dimensional, including a nice move to major mode followed by some great exploration. Unfinished with a > to "Free." · 123 BPM
20:40
>SEGUE
382FreeambientSome sweet Mike bass, then gets very quiet with just Mike and Trey playing, then Fish and Page jump back in. · 162 BPM
9:56
377Guyute104 BPM
15:37
390DrownedIIVery raw in parts (at least Trey), but a serious piece of improvisation nonetheless. At the 7 minute mark, the band gets very quiet and almost stops. Trey plays solo for a stretch, and briefly addresses the crowd. Around 12:30, the other band mates rejoin in a very upbeat and rocking jam that accelerates into near fury by 21:30. · 123 BPM
This was the first show of the Coventry festival and was simulcast in movie theaters nationwide. During YEM, the band gave away their trampolines. Throughout the duration of the set, groups of fans held the trampolines above their heads, and some fans jumped on the trampolines as well. Tom Marshall sang the lyrics to Antelope. Trey teased Waves in Halley's Comet. Before Bowie, Trey told a story of the summer he spent living in a cabin in the Northeast Kingdom where he remembered writing several songs, including Bowie. Trey explained that Bowie was an attempt to see âhow far can you push it in the harmonic and rhythmic language and still have people dancing.â During Hood, Trey (speaking in rhythm) noted that because there were a row of rocks separating the band from the crowd, they were feeling a certain level of disconnect (particularly when Mike plays a "sexy" note). To remedy the situation, Trey and Mike ventured down onto the rocks for the duration of the song. At the end of Hood, the band stopped playing, allowing the audience to sing the âYou can feel good, good, good about Hoodâ refrain.
By the numbers8 STATS
RUNTIME4h 47mwith break
LONGEST26:08DROWNED
SHORTEST2:22POOR HEART
AVG SONG12:29across 23
JAM CHRT10charted
SEGUES120.52 per song
DEBUTS0no firsts
JAM TIME9%of 287 min
SONG DURATIONS · 23 IN ORDER0–27 MIN
DROWNED 26:08
● SET 1● SET 2● ENCORE
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