189Foam> in from "Bathtub Gin." Very cool, exploratory Page solo. Trey's solo is enhanced by an echo-like effect. A bass and percussion rich build-up leads to a soaring finish. If you aren't on the edge of your seat when the final verse starts, your soul has gone missing! · 136 BPM
12:10
155Samson Variation172 BPM
2:14
>SEGUE
131Dirt136 BPM
3:50
>SEGUE
183Vultures> "Dirt", the version demonstrates considerable growth over a short period of time. Page's fills fall like scales between Fish's off-kilter percussion, the jam itself a revelation. Trey's riffing and soloing is forceful, with each musician acutely attuned and playing "out" as if a means to somehow reign their sound "in". Impressive. · 152 BPM
8:23
167My Mind's Got a Mind of its Own126 BPM
3:58
177TwistA good, rocking and bluesy jam develops at 7:30 and continues until -> to "Jesus Just Left Chicago." · 118 BPM
11:54
->INTO
179Jesus Just Left Chicago-> in from "Twist." Great version from the Gorge with Page switching keyboards and a fiery ending to the jam. · 99 BPM
12:02
182Limb By LimbdarkA very different version from 7/31/97, with more staccato playing by Trey, and minor key fills from Page at points. · 144 BPM
11:47
146Character Zero92 BPM
8:35
SET 2MAIN7 TRACKS·1:062 CHARTED
293JuliusblissJam begins in a great, bluesy groove with Page on the B-3 for a few minutes before he jumps to the piano. Trey is relaxed in his playing, gradually building this one up, but never loses the swinging feel. · 83 BPM
13:12
>SEGUE
246Simple99 BPM
10:39
>SEGUE
286Fluffhead99 BPM
14:48
254Lifeboy118 BPM
8:25
>SEGUE
283TasteIIAround 6:30, this version comes very close to breaking free of "Taste" altogether into free form improvisation. Fantastic peak and finale. · 162 BPM