187Prince CaspianblissGood combination of a nice intro, varied and interesting soloing by Trey, then a chill-out Page section before the closing. · 78 BPM
8:21
156Ginseng Sullivan129 BPM
3:17
147Split Open and Melt103 BPM
12:51
139Dirt144 BPM
3:58
182TastePowerful Page solo. Like 7/3/97, very good Trey/Page interplay, similar to a good "LxL". And strong Trey. One of the first versions where the "NICU" riff appears immediately preceding the closing sequence. · 162 BPM
11:36
154Sweet Adeline162 BPM
2:26
163Harry Hood136 BPM
17:18
SET 2MAIN7 TRACKS·1:194 CHARTED
258Down with Disease144 BPM
13:18
>SEGUE
233My Soul136 BPM
4:35
>SEGUE
245Cars Trucks Buses152 BPM
5:28
293You Enjoy MyselfIIIn one of the longest YEMs since 1995, Phish jam with jazz/fusion quartet Bela Fleck and the Flecktones. The jam consists primarily of individual solos from each guest, eventually culminating into an ensemble -> to a jam on "Trane to Conamarra." Phish may not have found Pierre, but they found their soul. (For another excellent Flecktones collab, check out 8/21/93.) · 103 BPM
32:00
->INTO
2—Trane To ConamarrafunkIIA magnificent "YEM" jam with Bela Fleck and the Flecktones continues -> with elements of their tune and funkily works itself -> to "Ghost".
->INTO
286GhostIITwo bands join in deftly dealing with each other's newest material when Trey calls an audible in the midst of the Flecktones informed segue jam, counting off the guest-studded ensemble into a highly improvisational take on Ghost. Featuring, in the first place, Victor Wooten's virtuosic bass work accented by Jeff Coffin's horn stabs and gradually developing into a tightly focused dual-band conversation, the jam moves through both start/stop and call-and-response sections before deconstructing into a soupy play of effects that > to an excellent Poor Heart. · 118 BPM
12:05
>SEGUE
289Poor HeartFeaturing the Flecktones including solos from Bela and Jeff, a bunch of false endings and teases, a big "Freebird" style ending, and Pierre chanting. · 148 BPM