Another nod to the sea (if not the scene), the song appears in the centerpiece slot, anchoring the second set, following a strong "NMINML." Tight, terse, and largely compact (play before the segue eventually bleeds) stro…

> from "Strawberry Letter 23". The first set-closing "20YL" doesn't disappoint. By 6:20, Trey has played the jam away from a typical jam from the song; this is lighter. Behind his deft playing and Fish's fantastic drummi…

> from "Ruby Waves." This is a dark, swirling, Mike-led jam that wastes no time getting started once the song proper ends. Page and Fish create an ambient background while Trey and Mike interplay. The end of the jam gets…

The band shows a willingness to let things develop slowly and organically at a level normally reserved for soundchecks in this relaxed, free-form exploration. Numerous styles and moods are employed with each movement giv…

A sick and twisted, evil monster. At first, it sounds like the band is content to tinker with the basic song. But at about 8:00, Fish and Mike hook up and develop a high-power, pulsing and driving base. Chaos ensues, as…