Breaks apart early on via a major mode shift, as a spacey loop from Trey creates an airy vibe on top of Fishman's strong foundation. The music shifts back to minor, with Mike's melodic basslines and Page's enveloping syn…

A typically jaunty, groovy improvisation makes a break for more pastoral, psychedelic territories around the 6:30 mark. With Fishman's pocket remaining constant and ever rock-solid, Trey, Page and Mike's particularly fun…

Something 'haunting' about "Oblivion's" opening when done right, and that's the case here. Always moody (one way or the other), the tune is a choice second set opener, and Trey opts for immediate excellence after crashin…

While the band may not cover a lot of new ground, they certainly traverse a lot of interesting territory. The song's signature line (which many have already likened to "Sand") runs, at least for some time, "like" Sand. M…

Big first set version brings the heat and stays punchy and rocking throughout. Capped off by some fine trilling and a relatively satisfying peak before returning to the lyrics to finish