183TubefunkdarkJam begins in its normal uber-funk space with Page pounding the clavinet and Trey outlining with simple but pointed lead guitar playing. The band then hooks up on a riff that leads them into a more contemplative, dark space. The music then shifts into a breezy major key groove very appropriate for the setting. Another shift towards minor key occurs, and the music morphs into a rocking jam that executes a great segue back into the blues shuffle portion of the song. · 112 BPM
12:07
126Mountains in the Mist112 BPM
6:56
181OcelotblissOne has argued it's not the wind, but, rather, the trees that create the breeze. Here, Trey as tree, drives an airy, guitar-driven jam that moves effortlessly across sea and sand. Fish, solidly in the pocket, anchors the band as the four take the song for another deceptively simple ride before, as if a wave, breaking for "Fluffhead." · 144 BPM
11:10
>SEGUE
153Fluffhead96 BPM
14:28
144Mercury96 BPM
7:09
>SEGUE
147Gumbo141 BPM
4:49
>SEGUE
127Carini99 BPM
9:31
SET 2MAIN6 TRACKS·1:072 CHARTED
245Mike's Song99 BPM
6:48
>SEGUE
249I Am Hydrogen81 BPM
3:01
>SEGUE
243Weekapaug Groove136 BPM
8:12
279A Wave of HopeIIOnce again, Trey's newer material serves as springboard for some of the band's most compelling improvisation. Here we get a multi-part jam that moves comfortably between sections and which finds all members of the band communicating and contributing. Listen especially to Fishman and how he drives the musical conversation. · 144 BPM
19:23
>SEGUE
277You Enjoy MyselfIIAlthough Trey is very rough in the opening, he soon recovers, and the version coasts along as per "average-great-normal" until 11:45 of the jam segment when Trey teases "Mr. P.C.," and the jam takes off and eventually reaches a BLISTERING peak. Bass and Drums segment is average-great, and the Vocal Jam is as well, but it's only ~95 seconds long, before (as in other recent versions) a second jam segment begins, in that Fish begins drumming and the others begin playing their instruments in short order, largely mimicking the final measures of the vocal jam during the first few minutes of this second jam segment. This second jam is thrilling, and peaks triumphantly. · 112 BPM