17146 DaysIIblissdarkAlmost immediately pivots into a spacious and warm groove, thanks to Trey and Page melding nicely while Fish does some fancy rhythmic work and Mike holds down the fort. Pivots into something darker and harder at Trey's urging, then neatly resolves back into "46 Days". · 162 BPM
12:35
137Rift78 BPM
6:31
147If I Could152 BPM
7:36
>SEGUE
140My Friend, My Friend83 BPM
6:15
>SEGUE
147Clear Your Mind108 BPM
7:10
>SEGUE
185Split Open and MeltIIdarkambientNo need for the band to clear their collective mind, for they have the modern Melt formula internalized. Mike's Floydian play controls much of this version's narrative, improvisation that, "illuminated" by Fish, pushes and probes to pass through a heart of musical darkness. Repeated listening is rewarding as all four musicians weave patterns of sound ,creating a complex tapestry that, despite this effort, is all but ineffable. Wonderfully, if not miraculously, Trey, his growly tone demented, picks his way through the shoreline's shoegaze sound, leading the band to "Melt's" closing refrain, before, of all things, "Suzy." Wild. · 108 BPM
18:16
131Suzy Greenberg123 BPM
7:04
SET 2MAIN7 TRACKS·1:274 CHARTED
230No Men In No Man's Land68 BPM
9:40
>SEGUE
251Everything's Right162 BPM
16:37
>SEGUE
269Prince CaspianII> from "ER's" excellent, groovy, outro, typically solid play ensues. Trey shifts completely, powering his way through an extended rock-n-roll solo, with the band banging and thrashing behind him. Welcome effects help to cool the incendiary play, the song, in set, a sort of fire-bridge, the band picking up where they left off when entering the psychedelic template that is "BASOS I." · 86 BPM
9:17
>SEGUE
282Beneath a Sea of Stars Part 1IIProves once again to be a perfect match for the seaside environs with a jam that grows more spacious and then sucks the listener into a powerful maelstrom of synth waves, crashing percussion, and magnetic lead guitar. · 152 BPM
11:06
>SEGUE
276Golden AgefunkdarkA non-stop rollicking groove delivered with an assured confidence, as Mike and Fish set a good pace and Page and Trey fill in all the gaps with tasty detail, then takes a darker turn for the last few minutes before > "Lonely Trip". · 108 BPM
19:36
>SEGUE
245Lonely Trip92 BPM
6:42
271Harry HoodIIdarkLike so many modern versions, this one deviates from the traditional structure but does so with great focus and direction in a suspenseful minor jam. Grows in power until 12 minutes when the band adroitly swerves back to good old "Hood" to conclude. · 118 BPM
<p>Fat Man in the Bathtub was performed for the first time since December 30, 2010 (387 shows). After Weekapaug, Trey quoted a line from <em>Silence of the Lambs</em> and Page added a Shipwreck quote. My Friend My Friend did not contain the "Myfe" ending. Trey teased On Broadway in Split Open and Melt. Trey teased San-Ho-Zay and Third Stone From the Sun in No Men In No Man's Land.</p>
By the numbers8 STATS
RUNTIME3h 12mwith break
LONGEST19:36GOLDEN AGE
SHORTEST2:52I AM HYDROGEN
AVG SONG9:38across 20
JAM CHRT6charted
SEGUES100.50 per song
DEBUTS0no firsts
JAM TIME10%of 193 min
SONG DURATIONS · 20 IN ORDER0–20 MIN
GOLDEN AGE 19:36
● SET 1● SET 2● ENCORE
Fingerprint0D · 1BO
SETLIST · BLOCK = SONG · COLOR = OVERDUEIN ORDER →