175TwistIIPivots smoothly into a nice warm Page-driven upbeat jam, with some really lovely trilling from Trey, then picks up the pace at Fish's urging and hits an anthemic zone before a surprising -> into a very good "Your Pet Cat". · 129 BPM
13:27
->INTO
171Your Pet CatII-> out of "Twist". Continuing "YPC"'s unexpected run as a jam vehicle, this baby turns into a real Page synthesizer showcase, briefly delving into The Weirdness before Trey's solos bring us back to "YPC" proper. · 123 BPM
9:17
>SEGUE
164Divided Sky118 BPM
16:17
129Mull96 BPM
6:13
185Wolfman's BrotherIIambientLike a cross between a breeze and the space between stars, the jam, a smooth and total sound, breaks free all but immediately and becomes a true show-stopper. Trey, atop Fish's scattershot (off)beat, both creates and occupies space - it feels like it, but he never stops playing - the resulting improv remarkable in its restraint, notable for its ingenuity, and startlingly refreshing. Terrific play from all four creates a sound (driven space, as opposed to ambience; give "ER" a spin, for instance) that will likely stand out from this excellent run. A bit by way of customary play dissolves as the band > for "Cavern." · 96 BPM
22:43
>SEGUE
145Cavern115 BPM
4:39
SET 2MAIN6 TRACKS·1:194 CHARTED
279Set Your Soul FreeIIMassive version features a jam that sounds an awful lot like "Under Pressure." As the jam moves along, all the toys get brought out and effects are used aplenty. Fish remains the backbone, as soundscapes are explored. > into a bluesy, must-hear "Simple." · 123 BPM
21:35
>SEGUE
276SimpleAt 7:30 a sweet, easy-going bluesy groove takes hold (think "Spooky") and brings the jam to a close -> "SaSS". Not a style often seen, but wonderfully employed here. · 108 BPM
12:54
->INTO
281Scents and Subtle SoundsIIfunkdarkA sneaky -> into the intro out of a really good "Simple". Trey guns the engines and starts cranking out some filth as Fishman goes absolutely ham behind him, and the band hits a pretty good peak, then Trey switches to chords and they enter "Manteca"-adjacent territory. The improv grows darker-tinged and more late-night energy, but Fish never relents in his percussive assault, giving the jam's second half a real interesting flavor. Damn good stuff, sir. · 112 BPM
16:57
>SEGUE
268Crosseyed and Painlessblissfunk> from "SaSS." Swinging jam with Fish keeping the tempo up throughout. Setting must be accounted for as this seems like the perfect jam for an evening on the beach. It eventually segues quite nicely -> "Waste." · 70 BPM
Axilla contained the Axilla II ending. Trey teased the theme from <em>Speed Racer</em> in Twist. Trey asked Chris Kuroda to turn off the lights during the pause in Divided Sky, and said "don't shine that thing in my face." Trey teased Fields of Gold in Crosseyed and Painless. Sleeping Monkey was dedicated to their hosts and the beautiful beings that welcomed Phish to their home and contained a Shipwreck quote.
By the numbers8 STATS
RUNTIME3h 1mwith break
LONGEST22:43WOLFMAN'S BROTHER
SHORTEST4:39CAVERN
AVG SONG11:20across 16
JAM CHRT7charted
SEGUES90.56 per song
DEBUTS0no firsts
JAM TIME13%of 181 min
SONG DURATIONS · 16 IN ORDER0–23 MIN
WOLFMAN'S BROTHER 22:43
● SET 1● SET 2● ENCORE
Fingerprint0D · 0BO
SETLIST · BLOCK = SONG · COLOR = OVERDUEIN ORDER →