275MercuryIIfunkdarkblissTypically impressive play splits open and melts into one of the summer's more interesting extended improvisational passages. Around the 14:00 mark Mike works his effects and Trey follows suit, a bit of lead bass fronting a super bit of creativity which toys with the song's melodic variation, at times funky, at others maintaining a bit of delay-heavy darkness, before the jam, ultimately, moves from a carnival-vibe to become joyous. In other words: More Great Phish. · 99 BPM
20:19
>SEGUE
268No Men In No Man's LandIIdarkblissRelatively short but very sweet. Around 4:30 in, the jam takes a turn to a driving groove in A, which the band weaves into darker territory. Dominated by swirls in the key of Mike and thick Clavinet work, the jam weaves back to a happier bliss key around 6 minutes in. Trey goes for swirly Leslie tone before a soaring bliss lead propels to the heavens on the back of Page's piano. Finally paying off with a big sustained note around 7 minutes in, celebratory and continued peaking winds back into the verse at 9:30. · 136 BPM
<p>Mike teased Strawberry Letter 23 in Halfway to the Moon. Birds of a Feather had The Final Hurrah quotes from Page, and a lyric change of "Like whippets they attack," from Trey. Light contained quotes and teases of We Are Come to Outlive Our Brains and quotes of The Birds and The Final Hurrah.</p>
By the numbers8 STATS
RUNTIME2h 38mwith break
LONGEST20:19MERCURY
SHORTEST2:46TRAIN SONG
AVG SONG7:56across 20
JAM CHRT2charted
SEGUES70.35 per song
DEBUTS0no firsts
JAM TIME10%of 159 min
SONG DURATIONS · 20 IN ORDER0–21 MIN
MERCURY 20:19
● SET 1● SET 2● ENCORE
Fingerprint0D · 2BO
SETLIST · BLOCK = SONG · COLOR = OVERDUEIN ORDER →