193GhostdarkambientGalaga and Zaxxon battle Space Invaders in the resplendent Echoes of an
exploding Dark Star. [One may not need not a chamber to be haunted, but the best Ghosts - at least of late (and for sure: this is one of the best) - appear orchestral in nature. Fluid, nebulous, and wholly organic, deep brain-grooves give rise to a series of music images which, like paper dipped in water, slowly form to bloom, presenting a picture of exactly what this band is capable of, whatever the set, and whatever the year. (This, and the closing refrain is both chill and humorous.)] · 136 BPM
22:27
162All of These Dreams118 BPM
4:06
>SEGUE
142Back on the Train172 BPM
7:46
155Free86 BPM
7:14
>SEGUE
155Martian Monster172 BPM
4:07
150Tube118 BPM
5:41
>SEGUE
14955583 BPM
5:25
165Walls of the Cave136 BPM
11:58
SET 2MAIN7 TRACKS·1:202 CHARTED
284TweezerblissEffect-heavy improv with layers of sounds eventually climbs, and builds, soaring to a blissful, thematic peak before grooving to an albeit brief return to the "Tweezer" theme. · 96 BPM
16:26
>SEGUE
249Blaze On99 BPM
10:02
>SEGUE
266Prince Caspian83 BPM
5:55
>SEGUE
286CarinidarkambientAfter a stereotypically dark "Carini" jam, a happy groove quickly develops thanks to strong Trey-Mike interplay. An extended passage of very quiet and mellow jamming follows, eventually rising in energy roughly halfway through the jam as Trey goes whale call and Page switches focus to piano. The first intense peak washes over, coursing on the back of Fishman's ride and intense whale call. Three short minutes of peaking wind down to ambient space, only to be propelled straight back up thanks to Mike and Page directing the jam into a new key. A quiet-yet-plinko jam develops as the energy builds on Fish's polyrhythmic snare and cymbal work. Flirting with darkness for some time, the jam eventually yields to murk, grime, and effects-laden darkness before finally winding down to Trey-based loops and Page on the organ. · 99 BPM