180RebaBizarre version. After swinging through the composed section, Trey augments his tone, and the pitch can easily be considered grating. But his playing remains distilled and deliberate, and, if nothing else, interesting. Any problems here, however, are offset by the others. Page is great. And Fish is a machine. But it is Mike who drives this version, his playing superb throughout, and, in spots, it seems as though he is running lead. · 99 BPM
13:06
179David BowieAnother good one with multiple minor/major mode shifts. There's also some nice rhythmic shifting and percussive coloring from Fish from 6:53 - 7:57. · 99 BPM
11:46
SET 2MAIN7 TRACKS·1:062 CHARTED
286Rock and RollIIAll in all, a quality, multi-section jam. Mike, Page and Fish are strong throughout. If you can just mentally tone down Trey's frequent use of the pitch shifter, it's all good. > to "2001." · 152 BPM
19:17
>SEGUE
252Also Sprach Zarathustra112 BPM
5:45
>SEGUE
281TweezerPage drives the jam into an outstanding peak in the final few minutes, and an excellent segue into "Cities" occurs with Fish playing the rhythm of the "Wedge." · 89 BPM
The first set took place during an unrelenting rain storm. Fish teased The Wedge in Cities. Sleeping Monkey was dedicated by Page to people affected by <a href="http://en.wikipedia.org/wiki/Hurricane_Sandy">Hurricane Sandy</a> and contained an alternate lyric by Fish: "my sleeping monkey is redeemed."
By the numbers8 STATS
RUNTIME2h 48mwith break
LONGEST19:17ROCK AND ROLL
SHORTEST2:31MY SWEET ONE
AVG SONG7:40across 22
JAM CHRT4charted
SEGUES60.27 per song
DEBUTS0no firsts
JAM TIME9%of 169 min
SONG DURATIONS · 22 IN ORDER0–20 MIN
ROCK AND ROLL 19:17
● SET 1● SET 2● ENCORE
Fingerprint0D · 0BO
SETLIST · BLOCK = SONG · COLOR = OVERDUEIN ORDER →