175Halley's CometdarkFollowing the final refrain, the band immediately shifts into minor mode and a moderately dark groove. Shifts back to major mode for a more upbeat ending and -> to "Roses." · 129 BPM
14:35
->INTO
143Roses Are Free103 BPM
6:49
->INTO
154NO2129 BPM
5:49
146Lawn Boy92 BPM
3:21
183RebadarkExcellent version which ebbs and flows, swells and recedes, with Trey seemingly drawing heavily from a "Blue Bayou"-like melody (11:30). Mike alights upon a grooving bass line, which induces relaxed soloing, before Trey abruptly peels away and the jam assumes a darker sentiment. > to "Carini." · 108 BPM
15:24
>SEGUE
139Carini89 BPM
7:24
>SEGUE
127Funky Bitch96 BPM
8:07
SET 2MAIN6 TRACKS·1:101 CHARTED
284Wolfman's BrotherfunkambientA funky, low-key, groove-based jam emerges around 8:40 on the heels of "Wolfman's" proper, and continues, growing ambient and spacey after 15:40. > to "Piper." · 123 BPM
NO2 was played for the first time since July 16, 1994 (357 shows) and, for the first known time, included the instrumental ending originally included on <em>The White Tape</em>. Reba did not have the whistling ending. Antelope included Meatstick teases and Trey acknowledging his friends Dave and Luann Abrahams, who were in the crowd. Possum and the Phish debut of Tuesdayâs Gone featured Scott Murawski on guitar. Possum contained a Lazy (Deep Purple) tease.
By the numbers8 STATS
RUNTIME2h 33mwith break
LONGEST21:46WOLFMAN'S BROTHER
SHORTEST3:21LAWN BOY
AVG SONG9:35across 16
JAM CHRT3charted
SEGUES80.50 per song
DEBUTS0no firsts
JAM TIME13%of 153 min
SONG DURATIONS · 16 IN ORDER0–22 MIN
WOLFMAN'S BROTHER 21:46
● SET 1● SET 2● ENCORE
Fingerprint1D · 1BO
SETLIST · BLOCK = SONG · COLOR = OVERDUEIN ORDER →