175RebaambientTrey employs a warm, "watery" tone, to play with focused precision and remarkable restraint. Truly notable support from Page creates more of an open and spacious canvas of sound (as opposed to "jam"), whose principal characteristics stem from an organic, natural vibe. The version floats evenly and easily for some time, before being shaped to a pointed, emphatic peak. · 99 BPM
13:09
147Talk144 BPM
3:37
154Funky Bitch99 BPM
7:55
133Theme from the Bottom96 BPM
8:36
>SEGUE
143Good Times Bad Times101 BPM
7:46
SET 2MAIN8 TRACKS·1:191 CHARTED
243Timber (Jerry the Mule)123 BPM
5:35
>SEGUE
235Uncle Pen144 BPM
4:07
239AC/DC Bag123 BPM
9:25
234Guyute96 BPM
10:10
265Tweezer96 BPM
14:59
->INTO
246Lifeboy129 BPM
8:15
>SEGUE
279Scent of a MuleIIPage > Mike on bass > the whole band playing along > klezmer stops, Steven Wright rings bell, klezmer > bell, klezmer > bell, no Mike but straight transition to finale. · 129 BPM
13:19
249Slave to the Traffic Light91 BPM
13:42
SET eMAIN1 TRACK·0:121 CHARTED
e78PossumA nice extended settled section, some cool "Johnny B. Goode"-like strumming, and a rousing peak in this fun version. · 99 BPM
Reba did not have the whistling ending. Talk featured Trey on acoustic guitar. The P.A. cut out during Funky Bitch, during which Fish took an “air drum” solo, Trey performed Townshend-style windmills, and the entire band engaged in random silliness while still “playing” the song. Scent featured a Page/Mike Mule Duel and a guest appearance from comedian Steven Wright, who came out and rang a desk bell three times.
By the numbers8 STATS
RUNTIME2h 36mwith break
LONGEST14:59TWEEZER
SHORTEST3:37TALK
AVG SONG8:40across 18
JAM CHRT3charted
SEGUES40.22 per song
DEBUTS0no firsts
JAM TIME11%of 156 min
SONG DURATIONS · 18 IN ORDER0–15 MIN
TWEEZER 14:59
● SET 1● SET 2● ENCORE
Fingerprint0D · 0BO
SETLIST · BLOCK = SONG · COLOR = OVERDUEIN ORDER →